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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, one half of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the team scored a global success with their version of Gloria Jones' Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He subsequently formed the innovative electronic act The Grid, who achieved popular acclaim with 1994's Swamp Thing.

Ball passed away peacefully in his sleep at his residence in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that show, Ball appeared in a wheelchair, as he had for the last two years, following a spate of ill-health.

"I ended up damage myself significantly," he commented in a recent interview. "I fractured spinal bones in my spine and fractured about multiple ribs and broke my arm."

Following catching a lung infection and suffering from blood poisoning, he was placed in an medically-induced sleep and stayed in the hospital for half a year.

However, he had been in "a great place mentally" during the warmer months, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is set for release next year.

"He was concentrated and so happy with the new album that we literally finished only a few days ago," stated the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I take some solace from the fact that he listened to the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an significant aspect of my existence and for the music you created with me. I couldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is different from joining a group, the connection is very tight," he continued.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Early Life

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was a year and a half old.

He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who altered his first name from Paul to his adopted name, alongside his younger sister his sister, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both learning fine arts. Inspired by a shared love of Northern Soul, they formed Soft Cell the same year, and quickly recorded an EP.

Creative Collaboration

The pair were an unusual combination: Ball was the reserved technician, bent over his synthesizer, while Almond was a charismatic performer, all sparkle and makeup; but they attained a unique musical alchemy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk appear on BBC science show Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was writing.

Their signature song became the UK's second most popular single of 1981, selling millions of copies globally. Alongside successful tracks by Gary Numan, Human League and Ultravox, it contributed to cleared the way for the electronic music style of the 1980s.

The track was also featured on their full-length debut, their initial LP, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Career Highlights

Success had its benefits. "I enjoyed being able to afford my first home, having financial security and exploring, which makes me sound like a beauty queen," Ball recently shared with a music magazine.

But it also caused challenges. "Sudden riches allowed we could afford newfound drugs to relieve the monotony" of media interviews and TV performances, Ball said.

"I realize that's a common saying, but it's a truism for a valid cause, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they managed to create a follow-up memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond went on to have a prosperous solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the charting album Cruelty Without Beauty.

After another break, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the large venue on September 30, that year.

Yet, they stayed active, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently described the band's upcoming release as a homage to the NYC nightlife they frequented while recording their first two albums.

He noted that his period in hospital had influenced the band's sound.

"I had unusual memories when I was coming and going of hospital because I was on morphine," he told a music magazine.
"The new songs are a electronic representation of the sounds in my head from those days.
"In parallel, it's about the experiences me and Marc had in the 1980s."

The last versions were finished only days before Ball passed away. It is scheduled for launch in the spring of 2026.

The writer

Anthony Lewis

A seasoned web developer and digital strategist with over a decade of experience in creating user-centric online solutions.

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